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Lelia's Kiss: Exploring Gender, Sex, and Marriage in Italian Renaissance Comedy - Toronto Italian Studies | Academic Research on Renaissance Literature & Cultural Studies
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Lelia's Kiss: Exploring Gender, Sex, and Marriage in Italian Renaissance Comedy - Toronto Italian Studies | Academic Research on Renaissance Literature & Cultural Studies
Lelia's Kiss: Exploring Gender, Sex, and Marriage in Italian Renaissance Comedy - Toronto Italian Studies | Academic Research on Renaissance Literature & Cultural Studies
Lelia's Kiss: Exploring Gender, Sex, and Marriage in Italian Renaissance Comedy - Toronto Italian Studies | Academic Research on Renaissance Literature & Cultural Studies
$18.74
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Description
Lelia's Kiss analyzes gender roles, sexuality, and marriage in the Italian Renaissance through the lens of a large number of comedies from the period, ranging well beyond the traditional canon. Focusing on the social and cultural scripts found within these comedies, Laura Giannetti offers a new perspective on the way gender and marriage were portrayed, imagined, and critiqued on stage during the Italian Renaissance.Giannetti argues that these Renaissance plays created an often humorous dialogue with the presuppositions of their day, engaging with contemporary social norms, expectations and desires. The actions and choices of cross-dressing female and male characters challenged standard discourse and illustrated how masculinity and femininity was socially and culturally constructed. By examining representations of gender and marriage onstage, Lelia's Kiss demonstrates that Renaissance comedies not only reflected and commented on the everyday life of the time, but also interacted with it, exercising playful humour and revealing insight.
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Reviews
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5
Laura Gianetti explores the many levels of her subject deftly. Her writing is lucid, engaging, scholarly without being tedious, and rich with cultural, social, psychological, historical as well as aesthetic insights. She explores the history of Renaissance women writers, engaging us through narrative. She bring to life once-influential-but-now-neglected female and feminist authors of the period, noting their struggles. In the process Professor Gianetti enlightens us -- as did the women of her book -- about the gender role people played historically, how they differed from those of the eras that followed. The author recounts the plays of the time -- especially those my popular women playwrights to illuminate the sexual mores and traditions of the time - including arranged marriages, extra-marital affairs, love, romance, homosexuality. In the process, Professor Gianetti reveals the surprising irony, flexibility and humour with which their Renaissance public viewed their own gender roles, relationships, pretences and realities. All in all a book well worth reading!

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